LEADING LADIES APRIL 25th 2014, 7pm.
This entertaining recital pairs an eclectic mix of women writers with male composers from the 20th and 21st century. The women featured range from Emily Dickinson and Dorothy Parker to the advice columnist Miss Manners and a Russian mail order bride, all set to music by American composers ranging from established greats such as Aaron Copland and Dominick Argento to up and coming composers including Gregory Spears and David Arbury.
Milbank Theater, Teachers College Columbia University, 525 west 120th st, New York. 7pm. Admission FREE.
Anonymous 4′s collaboration with composer Christopher Tin, singing the Irish lament “Caoineadh” on his album “Calling All Dawns”, with Jacqueline as featured soloist, led to a Grammy for Best Classical Music Crossover Album.
In addition to her work with Anonymous 4 she has a reputation as a versatile and accomplished soloist, specializing in early and new music. She has appeared with many early music ensembles both in Europe and the US, including The Washington Bach Consort DC, The Bach Sinfonia, Carmel Bach Festival,St Thomas Church NYC, Bach Vespers at Holy Trinity Lutheran NYC, The Baltimore Consort, Armonia Nova,The Folger Consort, Parthenia, Sonnambula, Abendmusik and The Sixteen. Repertoire includes the alto solos in Bach Magnificat, St Matthew and St John Passions, B Minor Mass and many cantatas, Vivaldi’s Gloria, Handel’s Messiah and Dixit Dominus, Durufle Requiem, Paine Mass in D and songs from the Elizabethan era for Parthenia’s acclaimed program When Music and Sweet Poetry Agree.
Her work in new music has led to collaborations with composers Judith Weir, Karlheinz Stockhausen, Luciano Berio, Orlando Gough, Richard Einhorn, Andrew Toovey, Louis Conti, Daniel Thomas Davis, Gregory Spears and Andrew Lovett, singing with such distinguished new music ensembles such as Ensemble Modern Frankfurt, Ensemble Intercontemporian Paris, Singcircle,Continuum, Ixion and the Locrian Chamber Ensemble. She has premiered roles in several operas, including Bacchant in THE BACCHAE (John Buller) for English National Opera London, Monk in GAWAIN (Sir Harrison Birtwistle) for The Royal Opera Covent Garden, Jeannie in THE JUNIPER TREE (Andrew Toovey) for Broomhill International Opera , Jackie Kennedy in JACKIE K (Andrew Lovett) for English National Opera Contemporary Opera Studio, and Eliza Doolittle/Scheherazade in THE LOATHLY LADY (Paul Richards) at University of Pennsylvania. She also premiered the mezzo solos in Richard Einhorn’s new oratorio THE ORIGIN, based on the life of Charles Darwin at SUNYOswego, and in Irish composer Philip Hammond’s REQUIEM FOR THE TITANIC, a performance that was broadcast live from St Anne’s Cathedral Belfast throughout the whole of Ireland.She is currently singing the role of Katherine in an opera in development, TESLA, by composer Phil Kline and film-maker Jim Jarmusch and recently performed excerpts from the piece at the Winnipeg New Music Festival.
Jacqueline is also a voice teacher, with a thriving studio in NYC and is an adjunct faculty at Teacher’s College Columbia University and Fordham University. She is on the faculty of Chorworks, a choral workshop that takes place each summer in DC. She gives masterclasses and ensemble technique workshops and has given residencies at colleges all over the US, including SUNYOswego, University of Athens Georgia, Mannes School of Music NYC and Georgetown University DC. She also works with student composers and has been a visiting artist at Duke University NC, The Catholic University of America DC and Binghamton University New York helping to develop and perform new pieces for the voice. In the Fall of 2014 she will be a C.V. Starr Doctoral Fellow at The Juilliard School.